More work in the new medium – wax carvings to be cast in metal, and some from my first batch, which I’d already received back from the casters. The dragon will turn into a belt buckle, the smaller version of the wave ring will be cast in sterling silver, and the little bird will be, I think, a little bronze statuette. There will also be copper ginko leaf buttons, barnacle and wave buttons, and a driftwood and barnacle ring. Phew!
This is an upgrade of my deep sea mermaid costume which I put together for a victoriana-inspired costumed club night a few years ago.
This version takes the original concept, but instead of the boiling hot corset, floor-length fishtail skirt with petticoat, and knee-high New Rock boots combo, I put together a matching outfit that was a bit more comfortable and cool.
I also went for a scarier tone, combining the anglerfish style glowing lure with thin thermoplastic teeth and boldly creepy face-paint – more suitable for a dark and noisy environment, and way more fun to wear. This is definitely a costume I’ll continue to develop, as my prop-making skills evolve. I will probably remake the glowing jellyfish umbrella some time too, because that was beyond awesome and I really miss it.
It’s always great borrowing someone else’s fancy kit; a friend was visiting with some £160 LED light boxes so I thought I’d have a go with using this technique for capturing watercolours or other drawings done on textured paper – something that I’ve struggled with in the past, especially when trying to create icons for websites. I was absolutely delighted with the results, now I just need to find some more reasonably-priced lights that will achieve the same results.
BBC R&D have a cool project called IP Studio, which is looking to ditch the direct wiring of live sound and video equipment, and allow programmes to be produced using all the flexibility the internet has to offer. The technology was showcased using a super-high-definition broadcast of coverage from the 2014 Commonwealth Games in Glasgow, via a sound desk and presenter in London.
This short video of interviews with IP Studio team members was produced by Alia Sheikh, and shows in their own words why they think that this is an important and exciting project.
I was tasked with enhancing the impact and clarity of key points. Once I received a cut of the interviews, I had a few days to transcribe the contents, plan and produce animated overlays. I created a distillation of the interviewees’ words, then manipulating the layout and timing with which they appeared to echo the speakers visually. With the addition of a few basic animated diagrams, the overlay was added to an Ultra High Definition version of the interviews, and become one of the first pieces to be broadcast at this resolution.
It was fantastic project to work on – self-contained, with very tight deadlines, but incorporating elements of technical communications, layout and animation design. I was delighted to get great feedback from the folks at the BBC involved.
A commissioned pair of dressy costume horns based on my previous ram’s horns tutorial, but using my new form profile and with a more ‘brutal’ paint job.
A pair of patchwork and appliquéd quilts, made for a much-loved pair of twins two years ago. The suggested theme was hot air balloons, to match the nursery. I initially designed them as double-sided (day and night), but even after that, I ended up with a far bigger bite than I’d expected to chew through… My first quilt, and not sure I’d make another, although admittedly many of the problems stemmed from the sheer scale and making it up as I went along!
I actually photo-documented the process in some detail for once, thanks to having an assistant, so you can see how I got through it.
A recent short-notice commission from BBC R&D Production labs – props for a sci-fi short, intended to showcase new technology. The props are a set of broken McGuffins, a light-up palm reading device and a mysterious button, themed around a ‘tree of life’ and ‘flower of life’ design. I haven’t seen the film yet, but they were pretty excited – the writer wanted to take the McGuffins home!
For this year’s film challenge, our entry depicts the last contact between two sisters, about to be separated for 30 years as a rogue exoplanet diverts one’s home planet’s orbital trajectory. Say that five times fast.
In a film challenge, I usually have 20 seconds to cram the credits into, tacked on the end of our 3-5 minute film. With actors, a team of about 10 and lots people to thank, it’s tricky to fit everything in and make it readable. I had to drop dramatic impact and the loneliness of space for a dense but elegant arrangement, but I’m pretty pleased with the result. If I’d had more time, I would animate the planets along their orbital paths, and give each ‘page’ solo time on screen, as well as using a better blur which moves across the screen, rather than streaming everything upwards.